reuglusblack:

{ the potter generation // horcruxes or hallows }
–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.
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reuglusblack:

{ the potter generation // horcruxes or hallows }
–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.
Zoom Info
reuglusblack:

{ the potter generation // horcruxes or hallows }
–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.
Zoom Info
reuglusblack:

{ the potter generation // horcruxes or hallows }
–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.
Zoom Info
reuglusblack:

{ the potter generation // horcruxes or hallows }
–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.
Zoom Info
reuglusblack:

{ the potter generation // horcruxes or hallows }
–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.
Zoom Info
reuglusblack:

{ the potter generation // horcruxes or hallows }
–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.
Zoom Info

reuglusblack:

the potter generation // horcruxes or hallows }

–––– – ❝ wouldn’t it be better, make you  s t r o n g e r , to have your soul in more pieces, i mean, for instance, isn’t seven the most powerfully magical number, wouldn’t seven –– ? merlin’s beard, tom! seven! isn’t it bad enough to think of killing one person? and in any case…bad enough to divide the soul…but to rip it into  s e v e n  pieces… of course, this is all  h y p o t h e t i c a l  , what we’re discussing, isn’t it? all academic… yes, sir, of course.


But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
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But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
Zoom Info

But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
Zoom Info

But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
Zoom Info
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.